The last two sections of the exhibition, Enclosures and Surfaces, are those that most express the new poetics of Tatge’s photography and his fascination with color: His striving for freedom
from the image itself. The preference accorded to the values of form rather than narration create the framework for his images of planes in which texture, color schemes and rays of light circumscribe a palpitating and mysterious world, a universe of marginal details of precious consistency, domestic idols offered up to the adventure of the eye.
Carlo Sisi
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